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Trystette - Film Music/Dance MusicSoundtracks / Dance Tracks |
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Perfect Now - Track of the Week from Trystette+BobbieRae
February 16, 2010 10:01 AM PST
New Track PERFECT NOW by Trystette+BobbieRae The best music was always happening in the gay clubs, from New York to Berlin, from Detroit to Rome. Doc Martins, kids twirling with unbridled passion for Erasure, INXS, DepecheMode, Ian Dury, Laurie Anderson. The Rouge of Weimar Cabaret, The Black of Executive Slacks, the Bleach of Blondie. Trystette+BobbieRae is the pulse, heartbeat of a love affair. This is the soundtrack for the world's stolen kisses in the strobe light, the future of electro-psych anthems, you are part of the show. If you are going to dream, why not dance doing it. DANCEMTHFKRDANCE visit is at www.myspace.com/trystettebobbierae Twitter: Trysbobbierae Songs for filmmakers - Trystette
June 26, 2007 06:04 AM PDT
Warning! Be gentle this is my first time podcasting ! This is a selection of my more quirky ambient tracks, ranging from Berlin 1993 to New York 2006. Let me know what you think and pass it on to any filmmakers you know that might like it. Love. The photo is by illustrator Urban Envy, from our Trystette video clip (out in a few weeks).
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Podcast Summary2010 - New releases of Dance Tracks with Trystette+BobbieRae,The best music was always happening in the gay clubs, from New York to Berlin, from Detroit to Rome. Doc Martins, kids twirling with unbridled passion for Erasure, INXS, DepecheMode, Ian Dury, Laurie Anderson. The Rouge of Weimar Cabaret, The Black of Executive Slacks, the Bleach of Blondie. Trystette+BobbieRae is the pulse, heartbeat of a love affair. This is the soundtrack for the world's stolen kisses in the strobe light, the future of electro-psych anthems, you are part of the show. If you are going to dream, why not dance doing it.
About Carrie BeehanStarting in the pre-Berlin-wall era and culminating in a post-wall epoch where Fritz Lang's Maria in Metropolis,1927, 18 yr old silent screen star Brigette Helm, sings with Charle's Dicken's unsettling and ruined Miss Haversham from Great Expectations,1861. This prologue permits glimpses of ghostly children and fading elders willfully leading you through the austere and obsessed siren's lyrics and music, attired in the double loading expressionism of film maker Clinton Curtis-Querci. Followers
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